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Archive for the ‘motherhood bliss’ Category

This response from Eliza at tea plus oranges is such a considered response that it’s hard to imagine it was written with a sleeping baby on her chest… and reading it was a lovely opportunity to revisit those first early months of motherhood. All my love to new parents.

If you have a partner, how does your partner feel about your feminist motherhood? What is the impact of your feminism on your partner?

I’m interested to see how this will pan out. It’s something we’ve talked about a lot at various stages of our relationship, mainly in relation to balancing two careers. We met at uni as two ambitious law student types, and he fully supports the idea that I should be able to go forth professionally and do interesting, meaningful things in paid work, as well as being an available and attentive parent. However, there is an inevitable tension in trying to carve out an equal relationship in a non-equal society. “Lean in” feminism emphasises the need for a supportive partner; but the limits of individual action in working around structural problems also apply to the concerted actions of a couple. He wants to support my career, but doesn’t want to sacrifice his. That’s fair enough. Why should either of us have to? Why can’t employment conditions accommodate family life for both partners? Yet, they don’t. So we intend to find some way of realigning the division of labour once we’re through the early years of parenthood (in which I want to be at home with my babies). Watch this space.

He took four weeks’ leave when bubs was born, which was really really fantastic. I’m now passionate about the feminist importance of paternity leave. There was a revelation in that month – he “gets” household management now. Five years of living together, I’ve done more than half the domestic load, but since bubs arrived that has changed. All it took was four weeks in which I completely abdicated responsibility for everything other than breastfeeding… He’s back at work now, and while our relationship may look very traditional at the moment, in many ways it’s more equal than ever (we’re both exhausted). I’m really grateful to be able to spend a full year at home with bubs. In an ideal world, we’d have better maternity leave provisions, so that women’s ability to do this doesn’t depend on the work status of the father. In the meantime, I’m pretty glad to have a breadwinner spouse just now.

(You can find all the many other responses in this series here. If you’d like to respond to these questions yourself you can either email me your answers and I’ll put them on blue milk as a guest post or you can post them elsewhere and let me know and I’ll link to them).

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I went with the kids to stay at the beach on the weekend with our friends at their beach house. I don’t think I’ve ever arrived anywhere more worn out.

At one point my friend took my daughter to the shops with her while her teenage son took my four year old boy to play outside with him. I sat in front of a window, all by myself, looking out over the sea thinking I will just have a minute to take in the view and then I will finish reading this book I am reviewing. Two hours later I finally looked down from the sea to find the book in my lap.

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Cormac on the beach in the evening being very pensive.

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My friend’s teenage son helping Cormac cross the channel. It was deeper than we expected.

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Watching all the children swimming in the sea from my friend’s beach house verandah.

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Lauca and my friend’s daughter boogie boarding together.

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Horses in the sea.

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Cormac and one of our friends.

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Lauca learning to make twine as a form of active meditation. Yes.. that didn’t come from stressed out me.. that little intervention came from one of our friends. He’s Aboriginal and he taught her how to make a traditional form of string.

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My column this week for Daily Life is out:

For weeks this year, before that night, I dreamed about snakes. On and off I’ve had these dreams since childhood and they always look like Pierre Roy’s Danger on the Stairs (1927). Recently people tried to tell me that the dreams were a sign of healing but Google that old surrealist painting and tell me if you see any good omens there.

Before I tell you what happened that night I want to tell you what happened a little further back, which is that I suddenly became a single parent. My partner and I, after more than a decade and a half together, decided to end our relationship. Doesn’t matter how a relationship ends — whether you leave, are left or it happens mutually — there’s still a moment where you take a breath and jump. It’s a moment of acceptance that this is your new reality.

 

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We grow old in fits and starts, it’s not a linear progression. I don’t know why but I stay looking the same age for about two years and then one day I suddenly look three years older and then I plateau for a time and on it goes. I’ve just noticed we grow up in fits and starts too. I gave Lauca a day in the city with me for her ninth birthday. She skipped school and went to my salon for an encounter with my very good looking, perfectionist hairdressers. Then she ate sushi in my office while I tended to something urgent before we strolled together through an art gallery for the afternoon and finally, off to dinner in a restaurant with my family. I think she turned into a teenager in the process.

When I started this blog Lauca was not quite two years old. As with all change I seem to feel both happy and sad about that.

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In the lift at my work.

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And at the art gallery. Right now Lauca is fascinated with European history so this exhibition was perfect.

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This, “Out of Body: Reading Gender Through “Women’s Fiction”” by Rob Hardy in The Critical Flame is a wonderful essay about being a stay-at-home father and how that changed the way this literary academic read women’s literature. This essay visits a number of places that I love.. how women writers are represented, the purpose of reading fiction and the important role of maternal feminism in the feminist movement at large.

After The Way Things Are, I began to search the shelves of the local used book stores for more Virago Modern Classics. At one of the shops on Division Street, I found a peculiarity in the shelving system: there was a section labeled CLASSICS, and a separate section labeled OLDER FICTION. Most of the authors in the Classics section were men, with a few well-known women thrown in—Jane Austen, George Eliot, the Brontës, Virginia Woolf. The Virago Modern Classics were shelved in the OLDER FICTION section.

I asked Dick, the owner, about this peculiar arrangement. Why, for example, was William Faulkner (the Nobel Prize winner in 1949) shelved among the Classics, but Ellen Glasgow (the Pulitzer Prize winner in 1942) shelved among Older Fiction? Was it that men became classics and women just became old? Or, not to make a gender issue out of it, why was Virginia Woolf a Classic, but May Sinclair, who first applied the term “stream of consciousness” to fiction, simply Older?

And..

As a young stay-at-home father, I gravitated toward Virago Modern Classics because they illuminated the ordinary domestic life to which I was growing accustomed, without becoming sentimental or losing sight of the broader human concerns and higher aspirations of their female characters. For most of the history of the English novel, writing was one of the only occupations open to women, one of the only ways in which they could make their voices heard outside the nursery and the kitchen. Their writing can’t help but express the immense gulf between the expansiveness of their imaginations and the apparent narrowness of the sphere to which they were traditionally confined. But being confined to that sphere, the sphere of domesticity, they also couldn’t help looking around and seeing some of its homely significance. They couldn’t help seeing that this world of messy children and dirty floors, of broken cookers and tight household finances, was also the real world. More real, perhaps, than anything else.

 

Thanks to Tedra for the link.

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I was interviewed recently for a television program that intends to look at various styles of parenting and the kinds of children these create. I know they’re trying to be nuanced about the topic but I can imagine the stereotypes their audience will have in mind. Namely, the idea that my generation of parents are coddling our children, are too intense about our parenting, that we’re a little too attentive.. that we want our kids to get trophies just for showing up and we’re creating feckless brats in the process. Yes, so about that..

I really, really like this piece, “How the ‘trophy for just showing up’ was earned” by Sonya Huber in The New York Times.

My son’s eight soccer trophies are lined up above his bed. One is a fake-metal bobblehead, and one has a little soccer ball that spins. He received each one for merely being on the roster.

These pieces of plastic and metal handed out by park-district coaches have emerged as a symbol of the unearned praise that is said to have weakened our children’s characters.

But I love them, those memorials to grit and mud.

Motherhood writing could do with a lot more of this… a lot more perspective, a lot less stereotyping.

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I wish so much that I had been able to buy Miriam Elia’s book, We Go to the Art Gallery before it was stomped on by Penguin books. I do love a bit of mothering and nihilism in art galleries, you know.

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Thanks to Penelope D. for the link.

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I met up with Cristy (two peas no pod, Larvatus Prodeo etc) and her children last weekend at the beach.  We worked out we’ve been following one another’s blogging and writing for over eight years now .. and we’ve finally met in person.

Of course we got along like a house on fire. Our kids did too.

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This essay is written by Cristina Nehring. Do you remember the controversy around her essay about her love for her disabled child last year? Anyway, here she is writing about being a single parent and entering a new love affair – it’s not a brilliant essay, it’s just interesting. She specialises in big sweeping statements that can piss readers off but I do like the way Nehring explores her life with a bigger picture in mind. And I’m always interested in the topic of parents having sex lives, as you know.

Here’s Nehring in The New York Times with “Are parents better lovers?”.

But now I was there — even if I was on the other side. And all my fears were true: I did make Dice my priority. I’d find myself pushing her baby carriage through the park and thinking “I never spent near this much time with any man in a park.” Nor has anyone ever listened to me so rapt, nor smiled at me so winsomely, tenderly, heartbreakingly.

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Much conservative ink has been spilled boiling the problems of black America down to its absent daddies, but no one in the black community needs pundits to lecture him on family values. Deadbeat dads rank about one step below the Klan in popularity among African Americans. Hiphop may be grossly misogynistic, but you will be hard pressed to find a cultural movement that more reveres mothers and reviles fathers. (Indeed, rap’s only mother-hater of note is a white guy, Eminem.) The anti-paternal sentiment in rap expresses a larger fatigue among African Americans for “tired-ass” black men who doom kids to fatherless lives. So when Jay-Z says “Momma loves me, Pop I miss you/God help me forgive ‘em, I got some issues,” he isn’t simply having a cathartic moment, he is speaking for 70 percent of African-American children. He is also speaking for my partner and me.

From Ta-Nehisi Coates with “Confessions of a Black Mr Mom” in The Washington Monthly.

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