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Archive for the ‘pop culture’ Category

This is very black comedy and very, very sharp from Mallory Ortberg in The Toast. Yo, dependency is a thing.

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This culture of ours saved my life. This isn’t an exaggeration. If not for Ursula K. Le Guin, Madeline L’Engle, Star Trek, The Wild Wild West, comic books, Isaac Asimov, and Dr. Who, I would probably be dead. I grew up in a neighborhood where the idea of dreaming outside of the concrete, glass, and busted elevators that encroached on my every day was damn near forbidden — it could also get you killed. Dreaming above your station was discouraged as you didn’t want others to think you were better than them. If they were in the shit, so were you. So in secret, I visited fantastic worlds — these worlds kickstarted my dream machinery, inviting me to see beyond what I thought were my limits…

.. This culture of ours should be aspirational. Despite our too-human contemporary failings, SF primes us to think and dream ourselves out of our current circumstances…

.. If we can rally together to save our favorite show, we damn well better use our collective energies and influence to ensure that all women and girls feel safe in our presence and in our shared cultural spaces.

From Shawn Taylor with “Yes, All Geek Men” in The Nerds of Colour.

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“You know why my show is good? Because the network officials say you’re not smart enough to get what I’m doing, and every day I fight for you. I tell them how smart you are. Turns out, I was wrong. You people are stupid.”

- Dave Chappelle

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Yes, hard-nosed critical thinking is a useful tool, but it also may become a defense against the risky insight that absorption can offer. As students and as teachers we sometimes crave that protection; without it we risk changing who we are. We risk seeing a different way of living not as something alien, but as a possibility we might be able to explore, and even embrace.

From “Young minds in critical condition” by Michael S. Roth in The New York Times.

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Here. (Thanks to Tedra for this link and so many other good ones).

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My article is here:

It strikes me from all of this how incredibly difficult it is to disassociate your identity from your child’s. How your child’s differences can easily be felt as rejection just as their expression of self is seen to be a reflection on you. But parenting in reply to your childhood is a conversation with the past. Just as parenting as reinvention is a conversation with an unknown future. What both these conversations lack is the present.

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Eminem’s anger with his mother has always been so incredibly public and so incredibly visceral. I always wondered how that fury towards women, including his ex-wife, would be resolved in him given he is primary carer for his daughter. Creating a woman while hating them would surely eventually be an unsustainable dissonance.

So I was fascinated to see that Eminem has just released a new track, Headlights with a video clip depicting an apology from him and an imagined reunion with his mother. The lyrics for this song are every bit as broken-hearted about mothering and trauma as the vengeful Cleanin’ Out My Closet was, but this time with the generous acceptance that comes from been-around-the-block parenting maturity.

You’re kicking me out? It’s 15 degrees and it’s Christmas Eve (little prick just leave)
Ma, let me grab my fucking coat, anything to have each other’s goats
Why we always at each other’s throats?
Especially when dad, he fucked us both
We’re in the same fucking boat, you’d think that it’d make us close (nope)
Further away it drove us, but together headlights shine, a car full of belongings
Still got a ways to go, back to grandma’s house it’s straight up the road
And I was the man of the house, the oldest, so my shoulders carried the weight of the load
Then Nate got taken away by the state at eight years old,
And that’s when I realized you were sick and it wasn’t fixable or changeable
And to this day we remained estranged and I hate it though, but

‘Cause to this day we remain estranged and I hate it though
‘Cause you ain’t even get to witness your grand babies grow
But I’m sorry, Mama, for “Cleaning Out My Closet”, at the time I was angry
Rightfully maybe so, never meant that far to take it though,
’cause now I know it’s not your fault, and I’m not making jokes
That song I no longer play at shows and I cringe every time it’s on the radio
And I think of Nathan being placed in a home
And all the medicine you fed us
And how I just wanted you to taste your own,
But now the medications taken over
And your mental state’s deteriorating slow
And I’m way too old to cry, the shit is painful though
But, Ma, I forgive you, so does Nathan, yo
All you did, all you said, you did your best to raise us both
Foster care, that cross you bear, few may be as heavy as yours
But I love you, Debbie Mathers, oh, what a tangled web we have,

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Something unprecedented has occurred in the last couple of decades in the social sciences. Overlaid on the usual academic incentives of tenure, advancement, grants, and prizes are the glittering rewards of celebrity, best-selling books, magazine profiles, TED talks, and TV appearances. A whole industry has grown up around marketing the surprising-yet-oddly-intuitive findings of social psychology, behavioral economics, and related fields. The success of authors who popularize academic work—Malcolm Gladwell, the Freakonomics guys, and the now-disgraced Jonah Lehrer—has stoked an enormous appetite for usable wisdom from the social sciences. And the whole ecosystem feeds on new, dramatic findings from the lab. “We are living in an age that glorifies the single study,” says Nina Strohminger, a Duke post-doc in social psychology. “It’s a folly perpetuated not just by scientists, but by academic journals, the media, granting agencies—we’re all complicit in this hunger for fast, definitive answers.”

From “The reformation: can social scientists save themselves?” by Jerry Adler in Pacific Standard.

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This is a very satisfying article on an interview with Wim Wenders and Mary Zournazi in The Saturday Papers.

The notion of space is a fundamental ingredient in both Wenders’ and Zournazi’s notions of peace, explored through the connections created by – and between – people. In film, allowing the watcher to see what the other is seeing provides a gentle push to take into account and perhaps even momentarily assume the point of view of the other person.

Wenders believes that the true acknowledgement of another’s existential space negates the potential for conflict. “As soon as you consider someone’s space and you see that space around him or her, you have in a way eliminated the possibilities of war or violence, because respecting someone’s space almost pulls the carpet out from under any violent act.”

I suggest to both authors that there is a striking absence of opinion or judgement in the book. After an uncomfortably long silence, Wenders says: “An opinion is a violent act very often. An opinion is superimposed and very often neglects or denies the space or the right to a space that person has. You have an opinion of someone because he is a foreigner or belongs to that group or that group and immediately that person’s void of their own space. It obliterates them.”

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Portrait of John Howard by George W. Bush.

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Portraits of lapdogs by George W. Bush.

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