Quite unlike many collectors, they weren’t wealthy, living and collecting their entire lives on their salaries and their pensions. The couple did not, however, sell a single piece until the National Gallery acquired much of their collection in 1991. Estimates of its value range well into the millions. “We could have easily become millionaires,” Mr Vogel told the Associated Press in 1992, adding: “But we weren’t concerned about that aspect.”..
.. Herb, who never completed high school, and Dorothy, who survives him, had simple criteria when buying art: it had to be inexpensive, small enough to be carried on the subway or in a taxi and it had to fit inside their one-bedroom flat…
.. Artists considered it a privilege to be included in their collection and an even greater honour to be invited to their apartment for a meal. Dorothy would sometimes offer a TV dinner that she warmed up in the oven. “They were a couple without children,” said Ruth Fine, a recently retired curator at the National Gallery. “The works of art became the absolute focus of their lives.”
When Mr Vogel retired from the Postal Service in 1979, he used his pension to buy more art. He and Dorothy began to think about their legacy, and many top museums came calling. Eventually, after years of negotiations, they agreed to send the heart of their collection to the National Gallery. When curators began to catalogue the collection, it took five full-size moving trucks to transport the Vogels’ art to Washington from their apartment.
Despite his obvious penchant, Mr Vogel could not always articulate why he liked certain works of art more than others or what he looked for when collecting. “I just like art,” he said in 1992. “I don’t know why I like art. I don’t know why I like nature. I don’t know why I like animals. I don’t know why I even like myself.” Washington Post
“The ordinary couple with an extraordinary art collection” from The Independent. Love this.