This is a very thought-provoking article from Elias Isquith in Salon on the return of the “view from nowhere” in political journalism.
Probably no one has devised a better definition of the phenomenon than Rosen, who describes it as “a bid for trust that advertises the viewlessness of the news producer.” According to Rosen, the view from nowhere “places the journalist between polarized extremes, and calls that neither-nor position ‘impartial.’” As Rosen himself will grant, this inclination to be “objective” is not always bad. Indeed, journalism is impossible if its practitioners don’t acknowledge the existence of at least some kind of baseline objective reality. But the view from nowhere is more often a self-flattering and ass-covering gimmick, one that is intended to protect the journalist from receiving criticism for partiality but often leaves the reader less informed as a result. Paul Krugman has a famous joke headline about the view from nowhere, one that’s only a slight exaggeration of the practice at its worst: “Shape of the Planet: Both Sides Have a Point.”
I see something similar happening in Australian political writing at the moment with some people on the left continually criticising actions and responses by others on the left while staking out the ground of reasonable.