Soon I began to realize that my posts were more interesting than my “official” journalism. They were more direct, asked deeper questions. Out poured visceral, accessible scenes and snippets of overheard speech laced with speculation and curiosity, and addressed, in my imagination, to people I knew. The audience was exactly the right muse.
The writer’s point of view regarding Facebook reflects that of many people in younger generations. The need for connectivity and semi-instantaneous feedback trumps any concerns about privacy, intellectual property rights, or targeted advertising.
Before Gutenberg made us a people of print, literature was developed in public performance just as much as it was in private, by a solitary writer slaving over a page. “Hearing rather than sight … dominated the older poetic world in significant ways,” Walter Ong, the scholar of literacy, has written. Homer and the classical Chinese poets refined their works in front of audiences. Even as we fell in love with print, much great writing was done at first as a kind of conversation between people, like the work fleshed out in Anais Nin’s letters to Henry Miller or the poet Rilke’s to the young Franz Kappus.
From Eve Fairbanks’ “My favourite writing tool: the Facebook status update” in the LA Times.