There’s lots to ponder here in Harry Giles’ post, “Shock and Care”. He does some really satisfying mulling over with the topic and pushes it in all sorts of directions . I think there’s a lot here that can be applied to writing, too, in addition to visual and performance arts. Recommended reading.
The argument I’m trying to build through these examples is that experiences of deep and genuine care are themselves shocking, shocking through their incongruity with a wider uncaring world. They are also necessary, because so few of us have the option to be cared for. And they define your audiences, because to choose not to care – to not take account of – audiences made up of different people with very different needs, whether those are needs based on disability, class, mental health or otherwise – is to limit your audience, which is to limit the conversation your art is having and thus the possibilities of the art you can make.