Essay writing at its finest…
When a chance came to visit Yellow Springs, I had no expectation that Chappelle would be there. But I wanted to see it. In Yellow Springs, I met Yvonne Seon. We had a good time. We discussed my wedding, we discussed Michelle Alexander’s The New Jim Crow, and she introduced me to her family. It was a lovely day. Idyllic, even. On my way out of town, I felt tired, so I stopped for some coffee at a local coffee shop. As I was paying, I saw a few guys out back in the garden, talking, and then I saw Dave Chappelle, in a weird white tank top that strained to contain his muscles. No longer lean. Well-defended.
So at a cash register in Yellow Springs I stood and watched as the person I had so badly wanted to talk to walked toward me. But when he said hello, I made a decision that—until my plane ride home—I kicked myself for. Moving on pure instinct, I simply said hello, turned and finished paying my bill, and left.
Did I mention that the light is beautiful at dusk in Yellow Springs? The people walk the streets, going to the grocery store or looking at the theater listings. There is a café that was once a house on the Underground Railroad that now serves delicious Reuben sandwiches and plays disco music. People say hello in passing, kids with Afros zip by on scooters. It is small-town America, but with hemp stores. I didn’t want to leave, because it seems like an easy place to live. Not without its problems, but a place with a quiet understanding that conversation is the minimum for living in a better world. You know, simple things.
At a memorial for his father a few years back, standing next to his mother at the podium at Antioch College, Dave Chappelle ended his speech by thanking the community of Yellow Springs. “So,” he said, “thank you to you all for giving my father a context where he could just exist and be a good dude, because to be a good dude, as many good dudes have shown you before, is just not a comfortable thing to be. It’s a very hard thing to aspire to. And so thanks for honoring him, because sometimes it is a lonely, quiet road when you make a decision to try to transcend your own demons or be good or whatever he was trying to do here.”
From “If he hollers let him go: Searching for Dave Chappelle ten years after he left his own show” by Rachel Kaadzi Ghansah in The Believer.
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