From film critic, Matt Zoller Seitz in Roger Ebert.
We watched “Aliens” anyway. It went over well. The biggest challenge was dissuading kids from trying to predict every single thing that was going to happen. This is a generation of talkers. They have to comment on everything. No thought can go unexpressed. Maybe this was true when I was a kid as well (I honestly don’t remember), but rather than endlessly correct them I decided to just roll with it, exercising my slumber party guardian veto power during scenes that I felt pretty sure would enthrall them if they would just shut up for five minutes (I was rarely proved wrong in my guesses). But it was a sharp crowd, and for the most part the movie went over quite well, for an analog-era science fiction spectacular that’s turning 30 next year.
One boy said that Ripley in her hyper sleep chamber looked like Sleeping Beauty. As this was an intentional reference on writer-director James Cameron’s part (there’s a Snow White reference an hour later) this seemed like a promising note on which to begin the screening. “I like the way this looks,” one said. “It’s futuristic but it’s old school. It’s almost steampunk.” “This is like Team Fortress 2,” another remarked. “Dude, shut up, this was made like 20 years before Team Fortress 2,” said the kid next to him. “This is, like, every science fiction movie ever made,” another said, as Ripley operated the power loader for the first time.
“This movie has so many cliches in it,” a boy said when Colonial Marines disembarked the drop ship and made their way through rainy darkness to enter the alien-infested colony. My son told him, “This movie was made in 1986. It invented all the cliches.” Another of his friends was impressed by the “personal data transmitters” implanted in the colonists—impressed that someone had thought of that back in 1986.