For Simone, her return to the Montreux Jazz Festival was a grudging reclamation of the stage after a period of tension back home. For Hill, her Unplugged performance was a gentle but unapologetic expression of her new identity as an artist. Chappelle’s performance in Hartford felt consistent with his decision to leave his show eight years prior (his departure was in and of itself perhaps the most profound act of self-definition any black artist has committed in the 21st century). “I still don’t understand awards shows,” West said. “I don’t understand how they get five people who work their entire life, won, sell records, sell concert tickets, to come, stand on a carpet and for the first time in their life, be judged on the chopping block and have the opportunity to be considered a loser. I don’t understand it, bro! I’ve been conflicted. I just wanted people to like me more. But fuck that, bro! 2015. I will die for the art—for what I believe in—and the art ain’t always gonna be polite.”From Rod Bastanmehr’s “When black artists declare their autonomy” in The Atlantic.
Archive for the ‘pop culture’ Category
Soon I began to realize that my posts were more interesting than my “official” journalism. They were more direct, asked deeper questions. Out poured visceral, accessible scenes and snippets of overheard speech laced with speculation and curiosity, and addressed, in my imagination, to people I knew. The audience was exactly the right muse.
The writer’s point of view regarding Facebook reflects that of many people in younger generations. The need for connectivity and semi-instantaneous feedback trumps any concerns about privacy, intellectual property rights, or targeted advertising.
Before Gutenberg made us a people of print, literature was developed in public performance just as much as it was in private, by a solitary writer slaving over a page. “Hearing rather than sight … dominated the older poetic world in significant ways,” Walter Ong, the scholar of literacy, has written. Homer and the classical Chinese poets refined their works in front of audiences. Even as we fell in love with print, much great writing was done at first as a kind of conversation between people, like the work fleshed out in Anais Nin’s letters to Henry Miller or the poet Rilke’s to the young Franz Kappus.
From Eve Fairbanks’ “My favourite writing tool: the Facebook status update” in the LA Times.
your auntie & ‘nem done finished the wine & put on that Ohio Players or whatever album makes them feel blackest. they dancin’ nasty & you watching from the steps when you should be sleep. your uncle is usually a man of much shoulders & silence but tonight he is a brown slur in the light, his body liquid & drunk with good sound. you feel like you shouldn’t be looking at how shameless he moves his hips, how he holds your auntie like a cliff or something that just might save him. your mama is not your mama tonight – she is 19 again, unsure what burns in her middle. your not-mama is caught in a rapture so ungospel you wonder if this is what they mean by sin, & if it is, how, like really how, could this be the way to hell? you’ve never seen her this free, this on fire this — “BOY!” she screams at you but not so you’ll go back to bed. she calls you to her, you grab her hands, she shows you where you come from.
From “Notes For a Film on Black Joy” by Danez Smith in Gawker.
I’m a post-workist writer and economist, apparently…
Frase belongs to a small group of writers, academics, and economists—they have been called “post-workists”—who welcome, even root for, the end of labor. American society has “an irrational belief in work for work’s sake,” says Benjamin Hunnicutt, another post-workist and a historian at the University of Iowa, even though most jobs aren’t so uplifting. A 2014 Gallup report of worker satisfaction found that as many as 70 percent of Americans don’t feel engaged by their current job. Hunnicutt told me that if a cashier’s work were a video game—grab an item, find the bar code, scan it, slide the item onward, and repeat—critics of video games might call it mindless. But when it’s a job, politicians praise its intrinsic dignity. “Purpose, meaning, identity, fulfillment, creativity, autonomy—all these things that positive psychology has shown us to be necessary for well-being are absent in the average job,” he said.
The post-workists are certainly right about some important things. Paid labor does not always map to social good. Raising children and caring for the sick is essential work, and these jobs are compensated poorly or not at all. In a post-work society, Hunnicutt said, people might spend more time caring for their families and neighbors; pride could come from our relationships rather than from our careers.
The post-work proponents acknowledge that, even in the best post-work scenarios, pride and jealousy will persevere, because reputation will always be scarce, even in an economy of abundance. But with the right government provisions, they believe, the end of wage labor will allow for a golden age of well-being. Hunnicutt said he thinks colleges could reemerge as cultural centers rather than job-prep institutions. The word school, he pointed out, comes from skholē, the Greek word for “leisure.” “We used to teach people to be free,” he said. “Now we teach them to work.”
From Derek Thompson’s “A world without work” in The Atlantic.
I disagree with elements of this article but overall, it covers a lot of ground very well and is a very satisfying read.
And in the new world will you specialise in consumption, communal creativity or contingency?
To paraphrase the science-fiction novelist William Gibson, there are, perhaps, fragments of the post-work future distributed throughout the present. I see three overlapping possibilities as formal employment opportunities decline. Some people displaced from the formal workforce will devote their freedom to simple leisure; some will seek to build productive communities outside the workplace; and others will fight, passionately and in many cases fruitlessly, to reclaim their productivity by piecing together jobs in an informal economy. These are futures of consumption, communal creativity, and contingency. In any combination, it is almost certain that the country would have to embrace a radical new role for government.
Cormac in the Gallery of Modern Art.
More thoughts from me on art for kids (everyone).