JF: I find it interesting you say wild behavior or irrational behavior, but you don’t say things like evil. Do you believe in evil?
HG: Yes, but I think think people have recourse to the word evil much too quickly when they’re talking about terrible behavior. I’ve given this a lot of thought, because when I wrote that book This House of Grief about the man who killed his three children, I was surprised to find how many people would ask me what I was working on. I would say I’m writing about Robert Farquharson, and they would look shocked and disapproving and say, Why? Why are you writing about him? I’d say, Well, there are obvious reasons why you’d want to write about a murderer, and people would get angry with me. They’d say, What sort of bloke was he? How does he strike you? I would start to describe his life and his formation as a person, and at a certain point the person’s face would harden and say, You’re making excuses, with this accusing gesture. I got used to that. It happened to me very often; it was a very frequent thing.
I realized that people protect themselves against thinking about stories like that by saying,This man is evil, therefore I don’t want to think about him, and nothing that he’s done is connected in me in any way. There is no darkness in me that could possibly connect with the darkness in him. People would say to me, Was he mentally ill, or was he just pure evil? There were these simple concepts you could slot into place to make it possible to contemplate such a person. And so I got less and less interested in the term evil as a way of talking about human behavior. Because it’s really a way of blotting it out. Stopping yourself from having to think about it.
From “Helen Garner on Court, Burning Diaries and Violence of Love”, in an interview with John Freeman in LitHub.
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About Helen Garner’s grandson, aged four.
At two in the morning, Ted, sleeping in the spare room, has a bad dream and creeps into my bed. He flings himself about diagonally for the rest of the night, cramming me into a tiny corner. God damn it, I think at 5 a.m., this is worse than being married.
From the section titled “While not writing a book” in Everywhere I Look by Helen Garner.
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“In the middle of the journey of our life I found myself within a dark woods where the straight way was lost.”
Dante Alighieri – Inferno
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A while ago an American writer friend, Jeremy Adam Smith and I were talking about the shaming of sexting and how misrepresented the practice was in the media. He told me I should write an article about my mothers’ group sexting.. and eventually I did. (It was this article). He also decided to finally tackle the topic himself and wrote two articles on it, one, with his partner.
So, Jeremy’s articles…”Can sexting increase relationship satisfaction?” in Greater Good and “Teens need sext education” in the San Francisco Chronicle.
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Of course there are buckets of mindless, consequence-free violence available to our children, in the form of video games where the only real goal is to do as much shooting, punching or murdering as possible. If slaughter is not for you, you might like to build walls in Minecraft, or collect benign, animated creatures in Pokemon Go. But what about play that provides a sophisticated metaphor for the real world, in all its complicated harshness?
I watch my son, and now also my daughter, playing D&D with their dad. My daughter, AKA Sarah Grindbone, nearly loses her life. My son, AKA Sword Slasher, has to decide whether to risk his own life to save her. It’s agonising, because this isn’t like video games, where you instantly “respawn” if you die, without weight or consequence. In D&D, if you die, you die.
It’s a game that’s set in a dark, scary place. It’s not peaceful or cute, but it is creative. It takes teamwork, imagination, and concentration. It’s a place of nuance. And yes, there are devils lurking. A lot like real life.
A lovely, layered article by my friend, Monica Dux in The Age, “Stranger Things lures a new generation into a nuanced world of Dungeons and Dragons”.
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This is very supple writing from Kiese Laymon on symbolism very structural solutions with racism. It’s a wonderful use of observational diary writing (the tension in some of them!) and… football to draw you in.”How they do in Oxford” in ESPN.
Right now, I’m eating the best squash casserole I’ve eaten in my life at a restaurant called Ajax Diner. Ajax is on the Courthouse Square, the economic and cultural center in Oxford. There are lots of white folk in the restaurant, and a number of illustrations of Ray Charles and other black bluesmen on the wall. Twice I’ve heard, “We good, but we got to get a running game.”
I keep hearing the names Nkemdiche and Laremy and Laquon and Fadol.
I’m a long way from Jackson, but the taste, the smell and the rhythm of the names uttered in Ajax remind me of home. I have lived, taught and written at a college in upstate New York for the past 14 years. In those 14 years, I’ve never heard a white man say, “Collards pretty good tonight, ain’t they?”
That’s exactly what the white man at the table next to me keeps saying. I love that his color commentary is absent any linking verbs. I feel prideful that these Oxford white folk are eating our food and talking like us, even if they don’t know it.
A few black folk who work in the kitchen come out before I leave. We nod. I don’t feel as good about them eating our food anymore.
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