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Archive for the ‘motherhood sux’ Category

I am close to someone who had her first baby through IVF and who is attempting a second baby and all I can say is… I see that what you go through is excruciating and all my love to those battling along.

These are beautiful demystifying links on IVF.

This from Dan Majesky.

And then we wait.

You’re warned against taking pregnancy tests because they measure hormone levels, and after taking all sorts of weird shit all month, you can trigger a false positive. So you wait. And there will be spotting. Is it spotting, or is her period starting? You don’t know. So you wait. And you wait.

And you wait.

And sometimes her period comes, and you start over. Step one.

And sometimes it doesn’t come. But the second line doesn’t appear, or the plus, or the whatever these tests do.

So you wait. And it’s negative, but you hope, and you see your friends getting pregnant, and you get a little sad. But you get mad at yourself because you want to feel happy for other people, and that’s not fair to them. And then the 17-year-old across the street gets pregnant, and you get a little sadder. And your cousins get pregnant, and you get a little sadder.

And you see people scream at their kids, and beat them in Kroger, and you just want to die because you would give anything to have a child throwing a tantrum in the cereal aisle.

You don’t want to hate people. You don’t. I think babies are beautiful. I think kids are awesome, but you can’t help the jealousy. The envy. The resentment. It really creeps up on you. And you search for positive things. And you talk on end about your capital-O Options.

And then you see people on the internet post screeds about how dare anyone assume that they would want to have kids because not having kids is the best – which is fine, have at it or don’t have at it, I really don’t care – but we want to be procreating, and we want what you could have, but are choosing not to use.

And we want to tell you, but people don’t talk about it. Because you don’t want to talk about it.

Because you spend all day thinking about it, managing it. Trying not to cry. Trying to not turn into HI and Ed from Raising Arizona, stealing babies in the night.

And this over at Essential Baby from Macy Rodeffer.

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Remember that whole ridiculousness when Meghann Foye said she wanted maternity leave ‘perks’ for those who don’t have children? And I wondered at the time would Foye feel at all comfortable trivialising bereavement leave or sick leave in the same way?

Anyway, here’s a lovely reply to that sentiment… all this grim loveliness.

Andrea maternity leave

This is maternity and paternity leave: a time of terror, joy, fear, wonder, pain, blood, and tears. A time of leaking breastmilk and sleeping for no more than two hours at a stretch. A time of your partner having to lift you out of bed.

In an era of highly curated selfies, it isn’t easy to show the world what we look like at our most raw. But we want the world to see us, and know us, like this. No, we wouldn’t trade a moment of it, and no, we’re not complaining. We are simply showing the emotional, painful, joyful, unreal realities of new parenthood. We’re doing the work of humanity, and we’re asking you to see and value that work for the beautiful mess that it is.

From “8 Honest, Raw Photos of What Maternity Leave Really Looks Like” by Jessica Shortall in Elle. 

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I liked Kim Brooks’article on motherhood and creativity but a lot of people didn’t. Here’s a very thoughtful reply to that article from Sarah Menkedick in Vela.

And yet, as a new mother, I wrote. And I needed to write. Not because I needed to make a name for myself or prove my genius, but because I needed to work my everyday experience into larger truths, to see it anew and connect it to a bigger realm. I needed to honor that everyday experience by scrubbing it and scrubbing it into polished, spot-on sentences that reflected it clearly.

It is rare for me to write this way. So much of what I had written before had an intellectual motor behind it, the wheel of my brain churning and churning out product. This writing did not. It both illuminated and paled behind the quotidian, the acts— huge, breathtaking, and so small as to be nearly invisible—of parental care.

In many ways, I think this writing made me a better mother. It made me pay attention to mothering, which I began to see as an incredibly complex, difficult, beautiful, personal, universal realm so underserved by literature; it made me see my daughter the way Annie Dillard saw Tinker Creek, the way Peter Matthiessen saw the labyrinthine ravines around the Crystal Monastery, as intricate mysteries worthy of rapt, careful attention.

There’s much to love here and it discusses many important points in reply to Brooks’ like who says mothering isn’t creative energy and who says the purpose of art is to disrupt.. but, controversial… I have a bit of ‘wait and see’ reaction whenever new mothers talk about the journey of motherhood and what is and isn’t.

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Many of the fathers I spoke to admit that showing vulnerability to other men can be difficult. Daniel, the divorced dad in Brooklyn, recalls that, growing up, mealtimes with his brothers were a kind of “blood sport”. Even now, he observes an “impulse to snuff out every manifestation of weakness as it’s being expressed”. So it makes some sense that many men set their sights on having a son. Raising a boy affords fathers a chance to be both strong and sensitive, to be powerful yet tender. With a son, a father may believe he has been delivered an adoring male ally in an atmosphere – the home – that often feels like the domain of women.

This profound sense of kinship comes with a similarly profound sense of responsibility. Many of the men I spoke to said they understood it was their job to guide their boys through the choppy waters of adolescence. “It’s just a responsibility assumed,” says Tom, a father in his late 50s with one teenage boy. “Sometimes my wife will say, ‘Hey look, I would like you to talk to our son about such and such’, but really it’s not something we even need to talk about.” Louise, the mother with a teenage boy in London, agrees that “the father’s influence with a boy is absolutely key.” She adds that male friends with sons have confided to her that they are more apprehensive about abandoning their families. “They worry more about the guilt and the damage they may cause.”

This entire article, “It’s a boy thing” by Emily Bobrow in The Economist’s 1843 is fascinating and.. disturbing. The preference for sons by fathers has been analysed from multiple perspectives but I find the one above some of the more interesting for me. Parenting taps into something profound about sense of self. It does not surprise me that men, as fathers, might feel a particularly strong attachment to sons given the opportunity it presents for them to be safely close to another male and to also repair some of their own childhoods as emotionally isolated little boys by recreating them and re-imagining them.

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This is really interesting! From “What does it mean when we call women girls?” by Robin Wasserman in Literary Hub.

Here’s how Louis CK draws the distinction between girl and woman:

[22-year old girls] might say, I’m 22, I’m totally a woman… Not to me, sorry. To me you’re not a woman until you’ve had a couple of kids and your life is in the toilet… when you become a woman is when people come out of your vagina and step on your dreams.

If it’s easy to see how the girl label attaches to unmoored millennials, it’s less evident how it applies to women firmly rooted in the adult phase of life. But it makes sense if we read the “girl” narratives as corrective to the Louis CK threshold, the “girls” as women who refuse to let a little thing like people coming out of their vaginas ruin their dreams.

All the Single Ladies, journalist Rebecca Traister’s recent take on the rise of the single woman, opens with her childhood conviction that the marriage plot was less fairy tale than Shakespearean tragedy. “It was supposed to be romantic, but it felt bleak,” she writes of the nuptial trajectories of her girlhood literary heroes. “Paths that were once wide and dotted with naughty friends and conspiratorial sisters and malevolent cousins, with scrapes and adventures and hopes and passions, had narrowed and now seemed to lead only to the tending of dull husbands and the rearing of insipid children to whom the stories would be turned over.”

The girl books crowding the nonfiction shelf are written by and about women who insist on sticking to that wide path, women who refuse to Jo March themselves into a supporting role in their own life: girlhood as a state of mind.

The word attaches itself with special frequency to women in music and the sciences—not as diminishment of their achievement, but as its trophy. Girl in a Band, Lab Girl, Hunger Makes me a Modern Girl, Rise of the Rocket Girls: these are women who followed their girlhood passions into male-dominated fields and triumphed. Their stories speak of subverting gender expectations, breaking barriers, and—at least on the page—prioritizing work and art over the role of domestic caretaker.

In Girl in a Band, Kim Gordon pauses—briefly—in her tale of Sonic Youth’s rise to acknowledge the birth of her daughter: “Yes, she changed our lives, and no one is more important to me. But the band played on.” Gordon spent the first half of her career answering journalists’ inevitable question about what it was like to be a girl in a band; the moment she gave birth, they instead wanted to know: “What’s it like to be a rock-and-roll mom?” Her daughter might well be the most important thing in her life, but she’s nearly irrelevant to this story, which is about music, ambition, and the need to create. Gordon writes about her difficulties expressing her true self, relieved only by art: “For me the page, the gallery, and the stage became the only places my emotions could be expressed….Art, and the practice of making art, was the only space that was mine alone.”

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Here.

Even now, safely past all that, I am apprehensive about remembering just how exhausted and vulnerable I was. I can describe it no better than this: When you are a single parent, the home you build sits atop stilts and if the structure gets more than the smallest of shakes it begins to wobble in such a way as to pick up its own rocking momentum. A dangerously gyroscopic effect. In this way, even relatively moderate upsets can lead to a collapse in the entire thing.

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This is an interesting little interview on BBC radio with Rachel Cusk, one of my favourite writers about memoir writing. Cusk covers all sorts of ground including how personal writing is evolving or not evolving, and the difficult question about invading your children’s privacy in order to write about your own experiences as a mother.

“Getting close to the truth of your own experiences is, for me, an artistic goal rather than a choice of genre”

 

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