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Archive for the ‘race/anti-racism’ Category

When some university staff members found out what I’d been up to, they warned me to restrict my walking to the places recommended as safe to tourists and the parents of freshmen. They trotted out statistics about New Orleans’s crime rate. But Kingston’s crime rate dwarfed those numbers, and I decided to ignore these well-meant cautions. A city was waiting to be discovered, and I wouldn’t let inconvenient facts get in the way. These American criminals are nothing on Kingston’s, I thought. They’re no real threat to me.

What no one had told me was that I was the one who would be considered a threat.

From Garnette Cardogan’s “Walking while black” in Literary Hub.

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A Small Needful Fact by Ross Gay.

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Milo peddles a pageant of insincerity that is immediately legible to fellow Brits. Americans understand irony differently, and sometimes not at all. The crowd of excitable young and young-ish people gathered to hear him pontificate believe what he’s saying, even if he doesn’t. Which he doesn’t. And it doesn’t matter.

It doesn’t matter that he doesn’t mean it. It doesn’t matter that he’s secretly quite a sweet, vulnerable person who is gracious to those he considers friends. It doesn’t matter that somewhere in the rhinestone-rimmed hamster wheel of his mind is a conscience. It doesn’t matter because the harm he does is real.

From Laurie Penny’s “I’m with the banned” in Medium.

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Creating a political climate based on shame is an impediment to justice. Shaming is about control, not justice. The shame-rage spiral is an unsustainable burden that ensures that we are unable to mount substantive challenges to oppression. Unacknowledged feelings of shame will destroy us as individuals and as movements. Honestly, I don’t have a strong idea for how we can overcome the shame dynamic in our political spaces.  Thus far, Ngọc Loan Trần’s concept “calling in” offers the most hope.

From R.L. Stephen’s II’s “The Left’s Self-Destructive Obsession with Shame” in Orchestrated Pulse.

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Part of Tony Albert’s incredibly powerful series, this is Brother (Our Past) 2013.

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Gorgeously humanising. 

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Intuitively, the selfie still feels valuable, but the compounded male, white, and colonialist gazes that work so hard to blur Black women and femmes into oblivion have too much force behind them to leave me with enough agency both to politicize a topless mirror selfie and to believe in that politicization one-hundred percent. Since it has been made abundantly clear, of late, that photo or video documentation proves very little and changes even less, simply documenting the Black female body falls short. Maybe a selfie comes close to proving that you exist – that you are at least firmly situated in time and space — but it proves nothing else conclusive about you: this is to say that, self-documentation of Black life still seems unable to contend with the “mass of images” produced by anti-blackness’s aggressive and distributed media campaign.

From Aria Dean’s “Closing the loop” in The New Statesman.

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